Showing posts with label alfred hitchcock. Show all posts
Showing posts with label alfred hitchcock. Show all posts

Tuesday, November 11, 2008

"What is drama but life with the dull bits cut out."


I am a proud frequenter of IMDb's Hit List. That tiny section on the bottom of the IMDb homepage makes my life a little bit easier and sunnier. I love my lists, commentaries, interviews, galleries, and random cinematic musings all in one accessible package. (For those exact same reasons, I adore film blogs as well.)

Recently, I found a link to FirstShowing.net's showcase of the full scans from "The 2008 Hollywood Portfolio: Hitchcock Classics." I understand the entry and the photoshoot are a bit old, but it's still a lovely set of photoshoots that deserves some mention at my neglected ol' blog.

The photoshoots are a collection of today's actors re-creating scenes from classic Hitchcock films. Some Hitchcock purists may find these pictures offensive and horrific, but I dig these kind of things--just as much as I enjoy remakes and Beatles covers.

The Vanity Fair website also features a gallery of the photoshoot, although the website does not show the full photos featured in the magazine itself. But the Vanity Fair website does include some background to the film's scene and the original still from the scene that the modern photoshoot recreated.

Personally, my favorite is Marion Cotillard in the recreation of that legendary shower scene in Psycho. The only two photographs that I don't totally dig are the ones with Emile Hirsch and James McAvoy in the Strangers on a Train photoshoot (awkward, much?) and Renee Zellweger (not looking much like Renee Zellweger or Kim Novak) in the Vertigo photoshoot.

I would love to hear what your opinions are of this lovely portfolio. But in this moment in time, I just feel like watching some Hitchcock. Who's with me? (I'm open to suggestions.)

And while we're on the subject, please check out Shawn of Deadpan's directors study of Hitchcock. It's definitely worth a read.

Thursday, October 2, 2008

Alive and kicking: 7 Films

For the past month, my blog has been the perfect model of Super Neglection of Film Blog, unfortunately. I have been busy with life, which has been unfairly dominated by the multiple horrors of a new school year. It has only been a month and I'm already nerd-failing Pre-Calculus. Really. But enough of teen angst, let's talk movies.

I have seen seven movies since my last review of all three versions of Little Women. Seven. I'm pathetic, I know. My weekends are now not only dominated by school work, but also volunteer work at the library. I'm kind of on a path to be a (lol) librarian. I mean, I have to pretend to get somewhere in life and library science seems, well, not too bad.

Anyway, about all the films I've seen since my last post. Behold, incoherence!

- The problem I have with Princess Mononoke is that it is practically Nausicaa of the Valley of the Wind all over again. I really, really, REALLY like Nausicaa of the Valley of the Wind (thanks to J.D.'s recommendation--and surprisingly, it's pretty much my BFF's favorite Miyazaki film). Princess Mononoke is just a better-animated version (no, that's an understatement--the animation in Mononoke is insanely spectacular) of Nausicaa, with different characters. Both films have a strong environmental message and the way the message is executed feels so...similar. I understand environmentalism is a theme that Miyazaki often explores in his films, but he could have created a brand-new story. I mean, Miyazaki is so extraordinarily imaginative (duh) that any striking similarities between his films would result in some minor disappointment. I expected something new from the filmmaker. But even Miyazaki's lesser films are true works of art--and that is the case for Princess Mononoke.

- Newsies is awesome in a sort of, "Lol, it's a Disney musical directed by the director of High School Musical and it stars Batman" kind of way. But seriously, I love the songs. "Seize the Day" is my favorite. Not the best family film, but I like it a whole lot. And I'm in love with the soundtrack. How can you possibly NOT love Alan Menken?

- Okay, am I really the only person out there that did NOT know the "twist" in Psycho? Hitchcock is the man when it comes to slow revelations. I'm sort of like a filmmaker's ideal audience: Ignorant and guillable. I don't force myself to think ahead when I watch a movie. I just kind of sit there and enjoy the ride. But I love Psycho. It is probably my favorite Hitchcock film right now. For someone who loves fascinating fictional characters, Norman Bates is practically my obsession right now. I love the way Anthony Perkins portrays him. At first, Norman just appears charming, shy, and rather lovable. Perhaps that is his true nature. I don't know. I'm still waiting for Shawn's take on the character in his Hitchcock Marathon. All I know is that Perkins humanizes a character that has been so often villified in pop culture. But that shower scene is still badass.

- My thoughts on Amazing Grace is kind of "meh." It's okay, I guess. My mom wanted to see it because her sister said it was a great movie. The performances are decent, but it is kind of boring on the most part.

- Enchanted is really all about Amy Adams's performance. I love it more than Marion Cotillard's in La Vie En Rose and Ellen Page's in Juno. I smiled all the way through the movie, mainly because of Adams's fantastic performance. It is predictable and silly, but lots of fun. The story is, well, amazingly imaginative. I just thought, "Why didn't I come up with this story?" I also really like James Marsden in the prince charming role and--surprise, surprise--I actually really love Patrick Dempsey as the single father/divorce lawyer/possible love interest (c'mon, that is NOT a spoiler). I was really impressed by his performance, considering I've only seen him in the first two seasons of "Grey's Anatomy." The part where Dempsey begs Adams to not sing is just a little piece of comedy heaven.

- Charlie Bartlett has several entertaining aspects: It is a fairly intelligent teen comedy and a fairly decent coming-of-age story. Robert Downey Jr. and Hope Davis both give amusing performances. I kind of like the film...but I kind of don't. There are some things I didn't really care about, such as the central romance of the film. I didn't really sympathize with the Charlie Bartlett character. Plus, I didn't find the film to be very funny either. The film had trouble finding a balance between comedy and drama. I guess it tried to be too many things at once that I ended up not caring about any of the things they wanted me to care about. And honestly, it felt like a slight rip-off of Rushmore.

- I loved the first Anne of the Green Gables. The sequel, appropriately titled, Anne of Green Gables: The Sequel, is well, has several melodramatic and dull moments, but all in all, it's all about Megan Follows' lovely, enthusiastic performance as Anne Shirley. It's a touching coming-of-age story about finding a place to truly (cheesey moment) belong. I realize that Kevin Sullivan totally raped L.M. Montgomery's books to make his Anne sequels, but I kind of like his more epic take on the stories.

I'm kind of fascinated by the Jonas Brothers right now. Not in a, "Wow, they're hawt and their music rox" kind of way, but I just love memorizing random facts about them. I've watched tons of their music videos for no particular reason and a lot of the videos are really, really funny. In their "S.O.S" music video I love the part where Kevin Jonas gets so pissed at a text message he receives that he throws his entire cell phone away. Okay, nobody needed to know that. Anyway...

I hope you're all doing well. I've been trying my best to keep up with all of my favorite film blogs. Even though I rarely comment, trust me, I lurk.