Showing posts with label harry potter. Show all posts
Showing posts with label harry potter. Show all posts

Sunday, January 10, 2010

The 2000s, A Decade in Retrospect...Harry Potter


The 2000s, A Decade in Retrospect is a series where I will be professing my love to the pop culture wonders that I discovered during this decade, but not specific to this decade.

I like Harry Potter. For the most part, at least.

Like many kids my age, I remember counting down the days until the next Harry Potter book comes out. I would wake up early in the morning and make my mom drive me to the local Costco to pick up a copy. I never bothered with the midnight parties where kids dress up as wizards and pop Bertie Bott's jelly beans. I like to have some sleep to restore my energy before I embark on the journey of spending the entire day and night reading the damn book just to know what happens in the magical world J.K. Rowling has so vividly and masterfully created.

I liked to think I was competing against everyone else. If not everyone else, I wanted to finish before all my friends did. I wanted to finish first so I could annoy them with that particular fact and constantly threaten to spoil the ending.

I jumped on the Harry Potter bandwagon a bit later than everyone else. My dad was frustrated that I've never read it, so he demanded that I get a copy so I'd know what's up with the rest of the world. He was concerned that I wasn't culturally informed. My dad is one of those people who always wants me to be in the know, even though he doesn't really care about being in the know himself. That's both a blessing and a curse. Or more like an excuse to feel awesome for remembering useless information.

I was eight when I read the first book. I didn't really understand what the fuss was all about. I don't think I even paid any attention. But my dad bought me the second book, anyway, because I wanted to own it, in case I ever wanted to know what happened. I read the first few pages of the second book and put it down. Didn't get back to it until nearly a year later.

It was one of those nights when I was in the third grade when I had nothing else better to do than...read. (Yeah, I wished I were raised on the foundation that reading was considered really fun, too.) I looked over at the bookshelf and saw Harry Potter and the Chamber of Secrets penetrating deep into my eyes, begging me to read it...well, that's the dramatic version, at least. But anyway, I sat down, read the book, and kept on reading. I eventually finished the book within a week. Thought it was fabulous. Gilderoy Lockhart is a one-of-a-kind personality and Kenneth Branagh does so much justice to the character, since in a way, Branagh is essentially playing a version of himself.

I went back and read the first book, Harry Potter and the Sorcerer's Stone...twice. Loved that book too. I don't know why I didn't care for it in the first place. It's a modern rags to riches story, with a magical twist. Forget the boredom of Goodbye, Mr. Chips; there is so much wonder fueled within that British boarding school that most kids wouldn't mind leaving their ordinary public schools and change into those lovely school uniforms. Harry Potter attends to Hogwarts, a school with delectable feasts for every holiday, seemingly comfy dorms, mail delivered by owls, jelly beans with unimaginable flavors, and magic at every corner. Sure, Lord Voldemort is one helluva villain, but Dumbledore always manages to save the day. So there's nothing really to worry about.

I was completely enamored with Hogwarts. It's undeniably another Narnia. I wanted to be in Gryffindor or Ravenclaw. I've always felt kind of pathetic that I was more Hufflepuff material, anyway. But Hogwarts was truly my dream school. Still is.

I had to read the third book, Harry Potter and the Prisoner of Azkaban. I borrowed it from my neighbor. Devoured that one within a week as well. I pretended that my milk was butterbear for the next five months. My mom bought me the fourth book, Harry Potter and the Goblet of Fire, for Christmas. It is one of the most captivating novels ever to include a tournament with life-threatening dragons, dreamlike mermaids, and a raging maze. And being a romantic, I wanted to attend the Yule Ball. My cousin finished it before I did and kept threatening to spoil it. I wouldn't let her.

The fifth book, Harry Potter and the Order of the Phoenix, is what I consider fantasy royalty. Although it has the reputation of being the longest (some might say, slow) Harry Potter novel, it is also the most fully-realized. It's not merely escapism anymore; it's a story about these characters that I have gotten to know and love. The scene where Neville Longbottom visits his parents at the hospital is what great, emotional literature is made of. It broke my heart that Rowling never seemed to reach the same height of brilliance.

It all went downhill. Some Harry Potter fanatics might disagree, but to me, the fifth book fueled me with such expectations that the sixth and seventh books were never able to satisfy. Harry Potter and the Half-Blood Prince and Harry Potter and the Deathly Hallows always felt like, at least to me, a sad mirror image of my childhood obsession. Sure, there are plenty of novels that are much worse, but the most devastating tragedy is to realize that everything could have been better.

Half-Blood Prince reads like above-average fanfiction. The overwhelmingly moronic teen romances, the ridiculous, one-brain subplot, etc. I disliked the book so much that I actually found the film adaptation a rather pleasant surprise. The film was able to cut all the snogging fest and focus on the magic and suspense of Hogwarts. That was what made the film brilliant: it emphasized what Rowling did best.

Deathly Hallows is a hallow disappointment. Sloppy, coincidental, and infinite pages of three bickering teenager camping out in various middle-of-nowheres. I couldn't care less.

Unlike many fans that I personally know, I completely enjoy the films as much as I enjoy the books--even more so, in the case of Half-Blood Prince. The films are better than most children's fare because they are clear-cut epics with the wonderful ability to shut the kids up. I remember watching Half-Blood Prince with a theater full of kids and for those two and a half hours and barely anyone made a squeak.

I am also continually impressed by Alan Rickman, who plays the sinister Severus Snape with such sarcasm, wit, complexity, and presence. Snape is my favorite Harry Potter and always will be. He's extraordinarily complex and conflicted. He has everything that a great literary character should have.

There is also the question on why Hermione would ever choose Ron over Harry. Or why Harry would ever choose little Ginny Weasley over Hermione. It makes no sense to me, whatsoever. Ever since I read the first book, I jumped on the Harry and Hermione bandwagon. They were the first couple I've ever shipped. And, I'm always glad to see how much chemistry Daniel Radcliffe and Emma Watson have together.

But despite my slight qualms, I like to remember Harry Potter in its full-fledged glory. Rowling has created a world for the ages and no one can ever take that accomplishment away from her.

Wednesday, July 15, 2009

Potter Battles Dark Forces and Teenage Hormones

Harry Potter and the Half-Blood Prince | dir. David Yates | rel. 2009 | 4/5

I wouldn't call myself a die-hard Harry Potter fan. I read the books. I watched the movies. I grew up with Harry Potter, so there's no point avoiding a phenomenon.

J.K. Rowling's Harry Potter and the Half-Blood Prince has always been my least favorite out of the seven-book series. The novel dragged on with boring details of ridiculous teenage relationship drama, lightly sprinkled with more engaging darker moments. Reading the book was a frustrating experience for me because I kept wanting to know more about Tom Riddle's (who later became the powerful, yet villainous wizard, Voldemort) past and the mysterious Half-Blood Prince, whose old Potions textbook shows his brilliance.

I didn't care for the sudden romance between Harry and his best friend's boring, charmless (and according to the book, she seemed slutty, too) little sister, Ginny, or how the witty, intelligent Hermione was overcome with jealousy over Ron's new girlfriend. I realize that this is all high school a la Hogwarts, but there is nothing I love more than a little bit of drama (proven by my week-long obsession with Gossip Girl). I blame Rowling's inability to make me care about any of the relationships.

But the tender romantic moments translated well on-screen. The director, David Yates, and the screenwriter, Steve Kloves, clearly knows how to make me care about the raging hormones of these teenage characters more than Rowling does. Sometimes less is more.

Let me just say it: The movie is better than the book. I think I just flipped off a bunch of Harry Potter purists by saying that, but this is my opinion and I'm going to stand by it. I realize that this movie can be confusing without reading the book (according to my mom), but it does stand very well on its own. It shaves off the more uninteresting parts of the book and even if it did shave off some integral parts, I don't remember. It surely didn't affect the movie. I haven't read this book in at least three years. Too bad I don't have photographic memory.

The first part of the film can be best described as a charming and funny romantic-comedy, with signs of impending doom. The second part is darker and full of suspense. The change in tone is gradual, and because of what the earlier scenes masterfully hinted, the change is well, inevitable. Dark times have always been a norm in poor (and extremely lucky) Harry Potter's life. Being the chosen one isn't easy sometimes.

Adventures undoubtedly lie ahead for Harry in his sixth year at Hogwarts. Harry (Daniel Radcliffe) wants to know what his nemesis, Draco Malfoy (Tom Felton), is up to. Dumbledore (Michael Gambon) wants Harry to get close to the new Potions professor, Horace Slughorn (Jim Broadbent), who once taught Tom Riddle (Hero Fiennes-Tiffin) and may have slipped some information of dark magic that Tom, now Voldemort, found useful; Dumbledore wants Harry to find out what that piece of information is. Harry also finds a Potions book that makes him seem like the Potions Master he never was, but the book's mysterious origins, being the property of the "Half-Blood Prince," triggers some curiosity.

But Harry still wants to be a regular teenager and hang out with his friends--an internal battle that seems to be continuously fought and continuously lost. No matter how disturbing this may seem to Harry's best friend, Ron (Rupert Grint), Harry is infatuated with Ron's little sister, Ginny (Bonnie Wright), who has suddenly gotten more attractive (in context). Ron is facing his own battles with the flirtacious Lavender Brown (Jessie Cave) but ignorant of Heremione's (Emma Watson) love for him.

Of course, it wouldn't be a Harry Potter movie without the incredible cast of British actors. Over the years, a Harry Potter movie has become a sort of showcase of Britain's finest actors. Broadbent joins the cast as Slughorn, a suck-up to pure brilliance and greatness, but fearful to evil and menace. Broadbent is hilarious, especially in a scene where he holds a small party with his favorite students in his office and questions Hermione about her muggle (mortal) parents' occupation as dentists, but the performance never fails to show the human qualities in Slughorn.

Helena Bonham Carter returns as Bellatrix Lestrange, one of Voldemort's most trusted minions, in a truly terrifying, insane, and devilish performance, with her wild hair and full witch attire. Alan Rickman is again, a scene-stealer, as a the morally ambiguous and fascinating Professor Severus Snape, who seems more like an enemy than a friend at times--or somewhere in-between. Gambon reprises his role as Dumbledore and continues to mentor young Harry, as the boy wizard tries to understand the often dangerous, yet magical world around him.

The young actors are decent in their roles. I've gotten so used to Radcliffe, Watson, and Grint as their characters that there is no use for me to complain. Although Radcliffe can be as bland as a piece of paper as Harry, there are scenes when he brings a genuine sense of warmth and humor to his performance--and I can only wish that happens all the time. As supporting players, Grint delivers dependable comedic relief when he comes under the spell of a love potion and Watson injects her usual girlish charm in her performance. (And I'm still kind of wishin' Harry and Hermione would have ended up together! The chemistry between Radcliffe and Watson is still terrific.) Wright, as the love interest, is wooden, missing the small spark of spunk she seemed to have in the previous installment. There is also Evanna Lynch, who plays a Luna Lovegood so dreamily in-the-clouds that it is impossible to fall in love with the character all over again.

But out of all the younger actors, it is Tom Felton who delivers the most outstanding performance. I've never really gotten the appeal of Malfoy, or Felton's Malfoy, for that matter. Malfoy is simply a pathetic boy who acts tough. But in this film, Felton makes Malfoy more human and vulnerable than ever. Felton's Malfoy wants to show that he has what it takes to impress Voldemort, but he doesn't realize the price he has to pay. At heart, he's innocent, spoiled, and amazingly pathetic--and I don't know whether to laugh or sympathize with the poor kid. As Felton's Malfoy stood there, with a wand in his hand--shaking, crying, threatening--I finally cared about him. In short, Felton manages to bring more complexity and internal conflicts to Malfoy than I could have ever imagined.

Cinematographer Bruno Delbonnel magnificently mixes lush tones to the film--shades of grey, blue, green adds a certain beauty to Rowling's universe. I didn't expect anything less from someone who has also photographed Amelie, one of the most gorgeous-looking films I've ever seen. The special/visual effects are, like many of the predecessors (perhaps with the exception of Harry Potter and the Order of the Phoenix), fantastically breathtaking.

The Half-Blood Prince is an immensely entertaining film. Clocking at about 2hrs and a half, it managed to keep the kids tight in their theater seats and relatively silent. It may not be the best film in the series (that award goes to the action/adventure-high Harry Potter and the Goblet of Fire), but it's dark, sinister, funny, tender, heartbreaking, and emotionally compelling. Being second best is not that bad, right?

Saturday, February 14, 2009

A Gallery of My Favorite Cinematic Couples

I'm glad to announce that I'm still well and alive. And I do remember that I own a film blog.

To celebrate this wonderful holiday of love and expensive chocolates on my blog, I decided to make a little gallery of my favorite cinematic couples (in no particular order). So here I go...

Perhaps one of the most romantic moments in film...ever. Short, sweet, and amazingly memorable.

I don't care what happened in the books. I'm delusional: Harry and Hermione forever. And it helps that Daniel Radcliffe and Emma Watson have incredible chemistry.

The best romantic comedy ever made. Gregory Peck (sigh) and Audrey Hepburn shines brighter than ever in that gorgeous Roman backdrop.

Jo and Laurie are my favorite literary couple and I am convinced my life would have been much better if Jo just accepted Laurie's marriage proposal! That said, Winona Ryder and Christian Bale's performances and chemistry makes me even more frustrated and annoyed that Jo and Laurie don't end up together.

How can any list of this sort be complete without the immortal Scarlett O'Hara and Rhett Butler?

This is a very unconventional choice, but I've always found the relationship between Michael Corleone and Kay Adams quite fascinating. The farther Michael moves away from Kay, emotionally and physically, the farther away he is from his American Dream. Al Pacino and Diane Keaton (in one of the most underrated performances ever) portray the dynamics between the two wonderfully.

Unrequited love...sigh.

One of the sweetest couples ever. One boy, one special boy...sigh. Bobby Rydell and Ann-Margret are adorably irresistible.

Tom Hanks and Meg Ryan proves the power of predictably cutsey, cheesy charm.

"You hear what I said, Miss Kubelik? I absolutely adore you!" Then comes the famous line...

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I hope you enjoyed this gallery. Feel free to discuss and bring up your own personal favorites. Next time, I'll aim for something a little more substantial.

Friday, August 15, 2008

Five Links Friday (#2)

A lot of videos this week, since I've been surfing Youtube quite frequently these past few days.

1. Trailer for Harry Potter and the Half-Blood Prince
Warner Brothers moved the sixth installment of the Harry Potter series from its November 8, 2008 release date to July 17, 2009 earlier this week.
In making the announcement, Mr. Horn stated, “Our reasons for shifting ‘Half-Blood Prince’ to summer are twofold: we know the summer season is an ideal window for a family tent pole release, as proven by the success of our last Harry Potter film, which is the second-highest grossing film in the franchise, behind only the first installment. Additionally, like every other studio, we are still feeling the repercussions of the writers’ strike, which impacted the readiness of scripts for other films—changing the competitive landscape for 2009 and offering new windows of opportunity that we wanted to take advantage of. We agreed the best strategy was to move ‘Half-Blood Prince’ to July, where it perfectly fills the gap for a major tent pole release for mid-summer.”
- Full story at MuggleNet.com

I don't think this movie will make a difference in box-office receipts. There is a huge audience for the Harry Potter movies who will watch the film no matter what its release date is. But again, I don't think WB cares about box-office performance at the moment, considering The Dark Knight majorly owned the box-office. Warner Brothers have several other major releases this year, including Body of Lies, The Curious Case of Benjamin Button, and Yes Man. I predict all the films will all do quite well financially.

Harry Potter and the Half-Blood Prince is actually my least favorite book of J.K. Rowling's popular fantasy series. The sixth novel was a complete let-down, considering its predecessor took my breath away. Rowling forced the ridiculous teenage romances instead of revisiting the depths and complexities of plots and characters, like in her previous outing with the boy wizard. The only interesting thing about the sixth installment was the information about the villainous Voldemort's past, which brings me to how well-done and excellent the trailer is...

Instead of focusing on Rowling's own attempts at giddy fanfiction (Hermione getting jealous at Ron because he's snogging Lavender? Harry feeling the beast within him when he sees Ginny snogging someone else? Harry asking Luna to a party because he can't ask Ginny?), the trailer spotlights the Voldemort back-story in a perfectly dark, moody way. When I first watched the trailer, I just thought, "Wow, they made my least favorite book in the series into an appealing movie!"

I'm rather disappointed that they brought director David Yates back, though. I think we're stuck with Yates until the end of the film series. Harry Potter and the Order of the Phoenix is my favorite book in the series and I just didn't think Yates did the film justice. Don't get me wrong: I enjoyed the fifth film and liked the executions of the more emotional scenes. The problem was, it didn't have the spark of the first two Chris Columbus films, the whims of Alfonso Cuaron's film, or the epic visual flair of Mike Newell's film; Harry Potter of the Goblet Fire is my favorite film so far in the series and it's one that is hard to beat. I don't see Yates achieving what any of his predecessors achieved with the two-part finale either. Yates is more interested than the characters than storytelling, while Rowling knows how to blend both wonderfully when she's at her best.

On a side-note, I am strongly opposed to WB's decision to make two films out of Harry Potter and the Deathly Hallows, the final installment of Rowling's fantasy series. If they can make one acceptable (if not perfect) film out of the 800+ pages of Order of the Phoenix, they can definitely make one good film out of Deathly Hallows. Personally, I don't like Deathly Hallows that much and I see opportunities for the filmmakers to cut out quite a bit (*cough*camping scenes*cough*).

But really, let's just say I'm still pissed that Harry and Hermione didn't end up together.

So what do you think of Harry Potter? Favorite movie? Favorite book? Favorite character? Favorite performance in the movies? Never read it? (I probably wouldn't have given a damn about the Harry Potter series if I wasn't growing up during the height of its popularity. There was no way to escape those books.)

2. Regis and Kelly: Anderson Cooper on the Lohans
I saw this video on James's blog and couldn't stop laughing.

Anderson Cooper is one of my favorite news reporters. Anderson Cooper 360 is one of my favorite news shows. I temporarily can't watch it because I don't have CNN right now, for some odd, unknown reason. (I'm insanely mad that I'm missing out the Obama-McCain debate on CNN.)

For those unfamiliar with Living Lohan, it is a reality show that "allegedly documents the daily lives of actress/singer Lindsay Lohan's family, with most of the focus on manager mother Dina, actress/singer sister Ali, brother Cody, grandmother Nana, who is Dina's mother and a former radio actress, and family friend Jeremy Greene, a music producer helping Ali with her debut album" (source: Wikipedia).

In the video, Cooper heavily criticizes the show and Dina Lohan's antics. Dina Lohan had fought back since (by contacting "OK Magazine") stating that Cooper's comments were "cruel" and "bad karma for him." Watch the video and judge for yourself. Personally, I still think it's hilarious after multiple viewings.

3. The Phantom of the Opera - Point of No Return
This film is probably camp at its best. Naturally, I loved it. I don't want to say too much about the film since I plan to write a review of it soon, but I still want to share my favorite scene.

"Point of No Return" is one of my favorite songs from Andrew Lloyd Webber's immortal stage musical. The lyrics of the songs have no punch; they're just oozing with sentiment. But telling someone that you like Webber's Phantom musical for the story and the song lyrics is kind of like stating that most of Rob Schneider's movies have a hidden philosophical meaning to them. It just doesn't make sense. The musical has always been about the aesthetics, and director Joel Schumahcer was the right guy to approach for the film version.

As for the scene, it shows that Emmy Rossum and Gerard Butler don't exactly have the extraordinary voice talents of Sarah Brightman and Michael Crawford from the original London cast, but at least they know how to make the scene hot. Well, except for the silly mime/circus/acrobat-like performers dancing in the background and those shots of Patrick Wilson's slightly tear-stained eyes. There are laughable aspects, yet the scene is passionate and visually fantastical. In the words of Paris Hilton, "That's hot." No, really...

4. Katharine Hepburn Online
I love well-made fan sites. For the past few years, I waited for a good Katharine Hepburn site to reach the web. Katharine Hepburn Online is a fantastic one, with a wonderful gallery a lot of good content. Finally...

I've seen my share of Hepburn movies, but I became completely enamored by her personality when I read her autobiography, Me: Stories of My Life. It is a sweet memoir written by an intelligent and charming woman who has lived her life to the fullest. What I really love about the novel is how Hepburn's personality and wit crackles through the novel with her entertaining anecdotes. It was definitely not written by a ghost writer, that's for sure. The memoir is not a tell-all book on the Golden Age of Hollywood, but simply a humble story of a woman's rise to fame, followed by life's various ups and downs.

So, anyone want to share their favorite Hepburn movies? Performances? Characters?

5. Free Jenna Now!
This is probably the funniest Internet marketing for a film I've seen in a while.

This is the deal (from Jenna Fischer/Pam Bessly's MySpace blog):
My name is Rainn Wilson and I've kidnapped the lovely Jenna, put her, bound, in the trunk of my firebird and logged onto her MySpace to send out this bulletin.

To free America's sweetheart, Pam Beesly, one half of the magic which is 'Jam', you must attend my new movie, 'The Rocker', which opens August 20th.

As soon as the film grosses 18.7 Mil, she will be released and given a peach smoothie.
Wilson and Fischer are friends and both star in the NBC comedy, The Office, so it's all fun and games.

It's a smart little marketing device that I found extremely amusing, but it still doesn't convince me that The Rocker is worth seeing. But good try, though.

Sunday, April 20, 2008

To All Those Ron and Hermione Shippers Out There...


(minor spoilers for those who have not read all seven books)

It is Harry Potter month on ABC network and I have been re-watching each of the films for the third of fourth time. Last night, they aired Harry Potter and the Prisoner of Azkaban and I just thought...why Ron and Hermione? Just...why? I've never understood the hype for this ship. I see very little to no chemistry between the two characters. Come to think of it, if I were to be left reading the books on my own without any outside contact or Internet access, I would have never guessed it was J.K. Rowling's intention to create romantic feelings between Harry's two best friends. Sure, I am aware of those hints planted here and there but...it never appeared to be something that felt like the real deal. The romance (if you can call it that) feels forced and the revelation in book seven was kind of lame, if you asked me.

Since the first book, I've always thought it was going to be Harry and Hermione. No, seriously. Call me delusional, but I really believed that. And seriously, why not Harry and Hermione? Watching the third Harry Potter film solidified my beliefs. Harry and Hermione work well as a team and Rowling (as a writer) and Alfonso Cuaron (as a director) presented that quite well through their work. I guess the fact that Daniel Radcliffe and Emma Watson have such great chemistry together also supports my case. The idea of Ron and Hermione seem strangely incomplete after watching the third film. Speaking of Harry, I absolutely loathe the idea of Harry and Ginny. I loathe it and I will loathe it for the rest of my life.

I have to admit that I am not the biggest Harry Potter fan, although I did thoroughly adore the first five books (especially the fifth, which I believe is probably the greatest fantasy novel I have ever read). But things like shipping fandoms that I see no merit in puzzle me to no end. I must say that one of the few shortcomings of Rowling as a writer lies in the fact that she cannot create any convincing romance in her epic series. Rowling's attempts at romance in a series where magic and emotions work so well, feels sloppy and abrupt.

Any thoughts? Comments? Feel the need to enlighten me and share passages of the all-time great Ron and Hermione moments? Feel free to do so.

I was just reading an old movie review of Harry Potter and the Prisoner of Azkaban and it frustrates me that some people can't praise the third film without criticizing the first two, vice versa. They are all fun and entertaining films with the directors' interesting spins on Rowling's novels. Both Cuaron and Chris Columbus are great directors who had done terrific directorial work for their respected installments.